Menu

Ciancio

About Ciancio

Posts by :

Set Lighting and Grip Departments

Crew Positions in the Set Lighting and Grip Departments

Video production requires hundreds of people with different talents to come together as one. Set lighting and Grip are two such teams that are involved with this process. Let’s take a look at the different roles in both teams and their responsibilities.

Set Lighting Department Crew Positions

Gaffer

The Gaffer is the person who heads the lighting department and assigns various responsibilities to the rest of the crew. They are also called Chief Lighting Technicians in different circles. Gaffers communicate directly with the cinematography department to establish the correct lighting for the scene.

They are instrumental in achieving a particular ‘look’ for a video. The Gaffer is completely proficient with all types of lighting equipment and terminology. This is a leadership role, and it’s about managing people as well as other resources.

Best Boy (Electric)

The Best Boy for the electrical department (BBE) handles all the tasks given to them by the Gaffer. They work in a supporting role and typically manage the electricians’ and lighting technicians’ scheduling and resources.

The Gaffer might not have time to look into all the little details of a specific project. It is part of the BBE’s job description to ensure that everything is production-ready. This is a pretty intensive role, and people applying for BBE must have strong multitasking and scheduling skills.

Electrical Lighting Technician

The Electrical Lighting Technicians, or simply Electricians, are integral to a lighting setup. They ensure that your lighting is safe and robust even under severe weather or high usage. The electrician ensures that all the lights are wired properly and connected to the right switches that can be easily controlled.

There are times when a bulb goes out, or there’s an error with the wiring. The electrician is also in charge of light and wiring maintenance and repair. The key to electricians is their ability to adapt to changing conditions. The set might have challenging weather patterns, but electricians ensure everything works as smoothly as possible.

Other Specialized Roles

1. Electrical Rigging

Depending on the size of the set, they can sometimes opt to have a dedicated electrical rigger. This comes especially useful in bigger Hollywood-style movies where hundreds of lights and other electrical equipment need to be handled.

2. Generator Operator

In larger video productions in an area where power is unreliable, production might opt for auxiliary power sources. These generators need a dedicated generator operator to ensure that they are fueled up and ready to go.

Grip Department Crew Positions

Key Grip

Grip refers to anything with non-electrical equipment, and they do not come under the purview of the set lighting team. The Key Grip or Key heads the grip department and all its related roles and responsibilities. The Key Grip is in charge of all equipment under this team and is expected to have in-depth knowledge about them.

Like the Gaffer, the Key also works with the Director of Photography to ensure the vision for the film is realized. They set the safety oversight for the team and also coordinate the grip team with other teams in production.

Best Boy (Grip)

Similar to the Best Boy Electrical, Best Boy Grip (BBG) also plays a supporting role to the Key Grip. While the Key makes the plans, the BBG is the person who brings it to fruition. Their responsibilities also include supervision of several other departments.

Surprisingly, this sometimes also includes transportation and logistics as well. The BBG ensures the grip truck is maintained and all the equipment inside it is available at any time.

Read: The 8 Efficiency Advantage: Why Choose a 3-Ton Grip Truck for Productions

Grip

The Grip is the person who is tasked with all the equipment the Grip department uses. This means the dollies, cranes, tracks, cameras, and booms. Dolly Grips and Crane Operators are assigned separately if it is a huge production.

Another important part of the responsibility for the Grip is the camera setup. The Grip ensures all cameras on set are available and ready to use. This includes camera accessories like tripods, dollies, and other tools.

Other Specialized Roles

1. Dolly Grip

Dolly Grip is the person responsible for creating seamless motion through the camera to our screens. Dolly Grips need good focus and hand-eye coordination to ensure that they can move the camera in a smooth and precise manner. Dolly Grips works closely with the cinematography department to ensure they get the motion and timing spot on.

2. Crane Operator

A crane operator is a more specialized version of the dolly grip. They operate a camera crane, which is a mechanical arm that can move and rotate in different directions. Crane cameras are more common with high-budget movies where an elevated perspective delivers a visual impact to the viewer.

As you can see, several important people in these teams have to work together to make video production go smoothly. If you’re looking for a video equipment rental agency, then Electric Light & Power Company in Dallas is the company you want. We have a huge variety of different equipment that can cover all your video production needs. Visit our website for more information!

3-Ton Grip Truck for Productions

The 8 Efficiency Advantage: Why Choose a 3-Ton Grip Truck for Productions

Video production has always been a hectic and intensive process that requires considerable investment in time and resources to accomplish successfully. And when discussing resources, equipment is a huge part of the production process. Grip trucks come under the category of logistics, transporting equipment from one shooting location to the next.

Grip trucks are categorized based on their capacity which ranges from 1 to 10 tons. The capacity of the truck is chosen depending on the production size and needs of the crew. But for most cases, a 3-ton grip truck is more than enough.

With years of experience in video production equipment, Electric Light & Power Company can help get you started in Dallas. In this article, we’re going to discuss the advantages that a 3-ton grip truck can bring to your production compared to the others.

1. Better Versatility and Packaging

While the popular motto for most things related to video production is “bigger is better,” sometimes it is also unnecessary when it comes to trucks. A 3-ton grip truck is useful for most video production applications.

The only exceptions are truly large productions, which may require much higher capacities. A 3-ton truck is also better packaged and fits into tighter spaces easily. This can be a huge concern when the area you’re shooting has narrow roads or limited approaches.

2. Improved Mobility

When you opt for a smaller size of truck, one obvious advantage is increased mobility. A 3-ton grip truck is able to get around different locations far more easily and quickly than other bigger trucks. It is shorter and more maneuverable, which makes operating in limited space a breeze.

The benefit is that this size of truck can still carry most of the things you need without compromising your ability to transport them. It is the perfect size to offer you all the storage without any of the drawbacks.

3. Higher Cost-Effectiveness

A huge part of professional video production is all about managing finances. The more money you’re able to save during other aspects of production, the more you can invest in equipment and staff. To this end, opting for 3-ton trucks for storing your grip equipment makes more sense than larger sizes.

Maintenance is easier and doesn’t require as much fuel as larger trucks. Plus, spares are cheaper, and the trucks are easier to repair, which translates into huge savings in time and money.

4. Easier to Set Up

When shooting a video, time is of the essence. You need to get started as quickly as possible with minimal downtime to prevent delays. Packing up as soon as the team is done is also a crucial part of a day on the set. With these considerations in mind, opting for a 3-ton truck has several distinct advantages. It is more suited to rapid production compared to 5-ton trucks and above.

Using 3-ton trucks gives you more time to shoot and prepare other production aspects. The focus of these kinds of trucks is on simple and creative setups.

5. More Accessible

Video production can be daunting, especially when you’re new to the process. The costs can add up quickly just for video equipment rental in Dallas. Every budding filmmaker’s objective should be to maximize their budget and crank out the best video they can produce.

This is where opting for a 3-ton truck makes sense. Since it is smaller and less expensive to run and maintain, it makes it far more accessible to even starter studios and directors. You can also store a lot more gear than a traditional 1-ton truck.

6. Increased Adaptability

Shootings can be hectic and chaotic – there might be various types of videos that are planned in one day. Keeping track of it and making quick changes can be challenging if you have a smaller grip truck. But with a 3-ton truck, it offers people enough flexibility to adapt to changing situations.

This size is perfect for helping grip crews pack all the different types of equipment in various configurations for production.

7. Smaller Operating Crew Size

One of the biggest benefits of using a compact 3-ton grip truck is you don’t have to invest heavily into a crew. A truck of this size is easy enough to be handled around a set with fewer people, saving you financial overheads. This is great news for leaner production crews who can’t afford to waste money.

8. Lower Environmental Impact

Something that not a lot of people talk about is the environmental impact of video production logistics. Larger vehicles are known to pollute disproportionately compared to smaller vehicles. With a 3-ton truck, pollution is cut down significantly with almost no compromises to space and flexibility.

Production equipment needs to be carried to and from the shooting location. And this is where grip trucks can help. For all intents and purposes, the grip truck is like a huge toolkit with wheels. It has all the equipment the crew will need to ensure that the production succeeds. If you want to rent video production equipment in Dallas, check our website for great deals!

Film Rental House

7 Tips for Renting Equipment from a Film Rental House

Renting video equipment from a film rental house is the way to go if you’re considering video production. The reasons are simple – it is much more cost-effective, and you don’t have to worry about maintenance or logistics.

With years of experience renting video equipment in Dallas, Electric Light & Power Company has the inventory and expertise in this niche. Here are a few tips that you can use to ensure that you can maximize renting video equipment.

1. Get the Planning Right

The first thing you should discuss with your crew is the plan for rentals and equipment. Video production needs a lot of equipment, and if you don’t plan it correctly, you could get in trouble. Renting too many pieces of video equipment happens just as easily as ordering too few.

To avoid this from happening, consult with your crew and build a list of things that they need to get the job done. Ensure that you cover overlaps and take care not to order equipment you won’t use.

2. Estimating Your Budget

Budgeting is one of the most challenging parts of the entire video production process. The reason why finances are tough to estimate is because there are so many moving parts in production. The sheer number of places where things can go wrong is pretty high, so you need to get this correct at the beginning of the process.

Rental costs can take a huge chunk off your total expenses. Don’t forget to include taxes and other additional expenses when you finalize your budget. Consider a deal with your equipment rental agency for a longer duration if that is cheaper.

3. Choosing Your Gear

Something that needs a lot of skill and patience during video production is choosing the right equipment. Ensure you’ve highlighted all the important pieces of equipment you will need. There are two main things you need to consider when choosing your gear – cost and compatibility.

Anything that you rent needs to be compatible with your existing equipment. Discuss with your rental agency to find the right equipment. When it comes to cost, there are times when you can even make do with older equipment. Premium older equipment can sometimes offer the same performance as newer ones at a much lower cost.

4. Inspect the Equipment

Take enough time to inspect and verify all the equipment that you’ve rented from the film house. Building an itemized list can help you take stock of what they have provided. This is where you need the help of your crew. Document any signs of damage or wear and tear on the equipment.

It is also important to verify that the specific accessories you’ve requested are compatible with the equipment. Ensure that all the camera lenses are clean and there aren’t any scratches on them. Finally, when the initial inspection is done, put them together and ensure everything works well.

5. Discuss Insurance Coverage

When dealing with sensitive equipment worth thousands of dollars, having proper insurance in place makes sense in case things go awry. Every rental agency in Dallas provides some sort of insurance that has adequate coverage. But as someone renting equipment, it is in your best interest to read through all of the terms and conditions specified in the insurance.

While the default insurance is okay, it might not offer everything you want. Explore options to improve your insurance coverage with your rental agency. One area that you might need to specify is damage and theft insurance, as these are the most common claims in the niche.

6. Understand the Terms of Rental

A rental agreement is a document that specifies the equipment hired and other details about the transaction between the rental agency and you. Completely familiarize yourself with the rental agreement; don’t be afraid to ask questions. There are chances some rental agencies might engage in unscrupulous tactics, so take your time to read through the agreement.

The rental agreement will also have specific terms and conditions, which you might be unfamiliar with if this is your first-time renting equipment. Last but not least, be aware of the penalties for delays in returning equipment. Not everything goes like clockwork; things can get delayed. When this happens, you want to be sure that the penalties aren’t prohibitively expensive.

7. Discuss Transportation and Logistics

Film equipment is big and bulky – you need to consider transportation for your production. Discuss with your rental agency about their terms for equipment logistics. Rental agencies can sometimes transport the equipment to where your production is, or you might need to arrange your own transportation.

Getting this sorted out initially prevents confusion and lets you get on with the rest of your production. At your end, ensure that you have adequate space to store all the equipment safely. You also want to arrange transportation to shooting locations depending on your requirements.